{"id":1529,"date":"2024-02-18T17:40:22","date_gmt":"2024-02-18T15:40:22","guid":{"rendered":"https:\/\/acousticecology.music.uoa.gr\/programma\/programma-synedrion\/"},"modified":"2024-11-08T16:20:19","modified_gmt":"2024-11-08T14:20:19","slug":"programma-synedrion","status":"publish","type":"page","link":"https:\/\/acousticecology.music.uoa.gr\/el\/programma\/programma-synedrion\/","title":{"rendered":"\u03a0\u03c1\u03cc\u03b3\u03c1\u03b1\u03bc\u03bc\u03b1 \u03a3\u03c5\u03bd\u03b5\u03b4\u03c1\u03b9\u03ce\u03bd"},"content":{"rendered":"
\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Thursday 7\/11\/24<\/th>\n<\/tr>\n<\/thead>\n
9.00-9.30<\/td>\nRegistration<\/td>\n<\/tr>\n
9.30-10.00<\/td>\nOpening Remarks<\/td>\n<\/tr>\n
10.00-12.00<\/td>\nSESSION I <\/strong>(Amphitheater Drakopoulos)<\/p>\n

Chair: Areti Andreopoulou<\/strong><\/p>\n

Soundscapes in Virtual and Augmented Reality\u00a0<\/u><\/strong><\/em><\/p>\n

10.00
\n<\/strong>Konstantina Stavropoulou and Magdalini Chatzaki<\/strong>:\u00a0<\/em>Integrating Soundscapes with Augmented Reality: Design and Implementation of a Geo-Located Audio AR App on the European Trail E4 on the Sitia Plateau<\/em><\/p>\n

10.20
\nPhilippos Theocharidis<\/strong>:\u00a0Interactive electroacoustic music \u2013 the concert space as an ecosystem: The Mon Repos Augmented Soundscape Project \u2013 A site specific sound installation in a dialectic with its environmen<\/em>t<\/p>\n

10.40
\nChristina Georgiou <\/strong>and Anastasia Georgaki:<\/strong>\u00a0\u0394\u03b9\u03b5\u03c1\u03b5\u03cd\u03bd\u03b7\u03c3\u03b7 \u03c4\u03b7\u03c2 \u03b5\u03c0\u03af\u03c0\u03c4\u03c9\u03c3\u03b7\u03c2 \u03c4\u03c9\u03bd \u039c\u03b1\u03b3\u03bd\u03b7\u03c4\u03b9\u03ba\u03ce\u03bd \u039a\u03b1\u03c4\u03b1\u03b3\u03af\u03b4\u03c9\u03bd \u03c3\u03c4\u03bf \u03b3\u03ae\u03b9\u03bd\u03bf \u03bf\u03b9\u03ba\u03bf\u03c3\u03cd\u03c3\u03c4\u03b7\u03bc\u03b1 \u03bc\u03ad\u03c3\u03c9 \u03c4\u03b7\u03c2 \u03b7\u03c7\u03b7\u03c4\u03b9\u03ba\u03ae\u03c2 \u03b1\u03c0\u03bf\u03c4\u03cd\u03c0\u03c9\u03c3\u03b7\u03c2
\n<\/em><\/p>\n

Improvisation, body, voice and space and acoustic ecology<\/u><\/strong><\/em><\/p>\n

11.00
\nMary Fogarty<\/strong>:\u00a0The Horrors of \u2018Harmlessness\u2019: the 2024 \u2018Cicadapocalypse\u2019 and Climate Change\u00a0<\/em><\/p>\n

11.20
\n<\/strong>Shortwave Collective<\/strong>: Collective Listening Across Distance<\/em><\/p>\n

11.40
\nNicolas Remy, Evangelia Paxinou, and Petros Flampouris<\/strong>:\u00a0All That Is Solid Decays Into Air<\/em><\/p>\n

SESSION II <\/strong>(in parallel) (Amphitheater Argyriadis)<\/p>\n

Chair: Katerina Tzedaki<\/strong><\/p>\n

Soundscape Analysis I<\/strong><\/em><\/span><\/p>\n

10.00
\nPetros Flampouris and Nicola Remy<\/strong>:\u00a0Non-standard acoustic measurements for architectural soundscape mapping\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n

10.20
\nPhilippe Woloszyn, Kahina Ikni, and Elsa Alfonsi<\/strong>:\u00a0The sound territories of diversity, between humans and non-humans. An anthropological-biodiversity approach to the soundscapes territorialization in urban resourcing areas<\/em><\/p>\n

10.40
\nMersida Ndrevataj and Petros Flampouris<\/strong>:\u00a0Echoes of Embodied Experiences: Walking Methodologies for Sensorial Research<\/em><\/p>\n

Soundscape Analysis II<\/u><\/strong><\/em><\/p>\n

11.00
\nMaria Kantzaridou, Ioannis Ekklisiarchos, Panagiotis Georgiakakis, Ioannis Nikoloudakis, and Kaloust Paragamian<\/strong>:\u00a0Soundscape of Agia Paraskevi Cave (Skoteino, Crete, Greece)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n

11.20
\nAggelos Tsaligopoulos, Stella Sofia Kyvelou, Nicos Bobolos, Aimilia Karapostoli, and Yiannis Matsinos<\/strong>:\u00a0Measuring the noise footprint of tourism\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n

11.40
\nPetros Flampouris<\/strong>:\u00a0\u00a0DIY sound practices for Architecture experiencing<\/em><\/td>\n<\/tr>\n

12.00-12.30<\/td>\nC\u03bfffee break<\/td>\n<\/tr>\n
12.30-14.30<\/td>\nSESSION III <\/strong>(Amphitheater Drakopoulos)<\/p>\n

Chair: Nikos Bubaris<\/strong><\/p>\n

Soundscape analysis and Digital Preservation I<\/u><\/strong><\/em><\/p>\n

12.30<\/strong>
\nNatalia Lithadioti and Theofanis Maragkos<\/strong>:\u00a0The sounds of the last traditional tinsmith of Skopelos\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n

12.50<\/strong>
\nFoivos Adamidis, Kalliopi Chatzimichail, Sofia Kapota, Panagiotis Karounias, Christos Paleologos, Theofanis Maragkos, and Charikleia Minotou<\/strong>:\u00a0Soundscapes and Soundwalks at Protected Areas, The case study of the National Marine Park of Zakynthos\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n

13.10<\/strong>
\nEmmanouil Lianis, Giorgos Dedousis, Konstantinos Bakogiannis, and Areti Andreopoulou<\/strong>:\u00a0Exploring the sonic tapestry of insular Greece: Spatial capture and systematic analysis of the Naxos\u2019 Island soundscape<\/em><\/p>\n

Soundscape analysis and Digital Preservation II<\/u><\/strong><\/em><\/p>\n

13.30<\/strong>
\nKaterina<\/strong>\u00a0Tzedaki<\/strong>:\u00a0\u03a4\u03b1 \u03b7\u03c7\u03bf\u03c4\u03bf\u03c0\u03af\u03b1 \u03c4\u03b7\u03c2 \u03c0\u03b1\u03c1\u03ac\u03ba\u03c4\u03b9\u03b1\u03c2 \u03c4\u03bf\u03c5\u03c1\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae\u03c2 \u03c0\u03b5\u03c1\u03b9\u03bf\u03c7\u03ae\u03c2 \u03c4\u03bf\u03c5 \u0391\u03b4\u03b5\u03bb\u03b9\u03b1\u03bd\u03bf\u03cd \u03ba\u03ac\u03bc\u03c0\u03bf\u03c5 \u03c3\u03c4\u03bf \u03a1\u03ad\u03b8\u03c5\u03bc\u03bd\u03bf \u03c4\u03b7\u03c2 \u039a\u03c1\u03ae\u03c4\u03b7\u03c2<\/em><\/p>\n

13.50<\/strong>
\nDimitra Agrafioti, Emmanouil Anastasiadis, and Theofanis Maragkos<\/strong>:\u00a0The Wetland of Vravrona: Case Study of a Recording of a Threatened Soundscape<\/em><\/p>\n

14.10
\nPenelope Bekiari, George Edmondson, and Anastasia Georgaki<\/strong>:\u00a0Resonant Echoes: Acoustic Heritage and Cultural Memory in the Mani Peninsula<\/em><\/p>\n

SESSION IV<\/strong> (In Parallel)\u00a0(\u0391mphitheater Argyriadis)<\/p>\n

Chair: Ioanna Etmektsoglou<\/strong><\/p>\n

Acoustic ecology and soundscape ecology I<\/u><\/strong><\/em><\/p>\n

12.30
\nFrank Pecquet<\/strong>:\u00a0Sound anthropology and ecosound\u00a0\u00a0<\/em><\/p>\n

12.50<\/strong>
\n\u039c\u03ad\u03bb\u03b9\u03c3\u03c3\u03b1-\u0386\u03bd\u03bd\u03b1 \u03a3\u03b5\u03bb\u03b5\u03b2\u03af\u03c3\u03c4\u03b1, \u0394\u03c1. \u039a\u03b1\u03bb\u03bb\u03b9\u03cc\u03c0\u03b7 \u03a7\u03bf\u03c5\u03c1\u03bc\u03bf\u03c5\u03b6\u03b9\u03ac\u03b4\u03bf\u03c5<\/strong>:\u00a0\u039a\u03b1\u03c4\u03b1\u03b3\u03c1\u03b1\u03c6\u03ae \u03ba\u03b1\u03b9 \u03b1\u03be\u03b9\u03bf\u03bb\u03cc\u03b3\u03b7\u03c3\u03b7 \u03b7\u03c7\u03b7\u03c4\u03b9\u03ba\u03bf\u03cd \u03c0\u03b5\u03c1\u03b9\u03b2\u03ac\u03bb\u03bb\u03bf\u03bd\u03c4\u03bf\u03c2: \u201c\u0397 \u03c0\u03c1\u03bf\u03c3\u03ad\u03b3\u03b3\u03b9\u03c3\u03b7 \u03c4\u03bf\u03c5 \u03b7\u03c7\u03bf\u03c4\u03bf\u03c0\u03af\u03bf\u03c5 \u03c9\u03c2 \u03b5\u03c1\u03b3\u03b1\u03bb\u03b5\u03af\u03bf \u03b5\u03bd\u03af\u03c3\u03c7\u03c5\u03c3\u03b7\u03c2 \u03c4\u03b7\u03c2 \u03b1\u03ba\u03bf\u03c5\u03c3\u03bc\u03b1\u03c4\u03b9\u03ba\u03ae\u03c2 \u03b5\u03bc\u03c0\u03b5\u03b9\u03c1\u03af\u03b1\u03c2 \u03c3\u03b5 \u03ac\u03c4\u03bf\u03bc\u03b1 \u03bc\u03b5 \u03ae \u03c7\u03c9\u03c1\u03af\u03c2 \u03b1\u03c0\u03ce\u03bb\u03b5\u03b9\u03b1 \u03b1\u03ba\u03bf\u03ae\u03c2\u201d<\/em><\/p>\n

13.10
\nCharikleia Minotou, Theofanis Maragkos, Aristotelis Martinis, Aristotelis Filippos Skiadaresis, and Spyros Kotomatas<\/strong>:\u00a0Acoustic ecology and Protected areas, the challenge to raise awareness and promote their unique cultural and environmental value through soundscapes. The case study of Gyaros Marine Protected Area<\/em><\/p>\n

Acoustic ecology and soundscape ecology II<\/u><\/strong><\/em><\/p>\n

13.30<\/strong>
\nGabriel Farilekas, Anastasia Georgaki, Thanos Polymeneas-Liontiris, and Penelope Bekiari<\/strong>: Ground Vibrations and Geophonic Sounds Impact on Human Brain Activity
\n<\/em><\/p>\n

13.50<\/strong>
\nWiktor Mastela, Areti Andreopoulou, and Thanos Polymeneas-Liontiris<\/strong>:\u00a0\u00a0<\/strong>Environmental Sound as a Form of Ecological Activism. Case Study: The Soundscape of \u201cPedion Areos\u201d<\/em><\/p>\n

14.10<\/strong>
\nPeter Nelson<\/strong>: Some Notes on an Ecology of Time<\/em><\/td>\n<\/tr>\n

14.30-16.00<\/td>\nLunch break<\/td>\n<\/tr>\n
16.00-16.30<\/td>\nKEYNOTE LECTURE I <\/strong>(Amphitheater Drakopoulos)<\/p>\n

Makis Solomos<\/strong>:\u00a0Listening to other-than-humans: becoming-insects<\/em><\/td>\n<\/tr>\n

16.30-18.30<\/td>\nSESSION V<\/strong> (Amphitheater Drakopoulos)<\/p>\n

Chair:<\/strong> Kostas Paparrigopoulos & Anastasia Georgaki<\/b><\/p>\n

Soundscapes as a compositional framework I<\/u><\/strong><\/em><\/p>\n

16.30
\n\u0398\u03c9\u03bc\u03ac\u03c2 \u0391\u03c0\u03bf\u03c3\u03c4\u03bf\u03bb\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2<\/strong>:\u00a0\u0397\u03c7\u03b7\u03c4\u03b9\u03ba\u03cc \u03c0\u03b5\u03c1\u03b9\u03b2\u03ac\u03bb\u03bb\u03bf\u03bd \u03ba\u03b1\u03b9 \u03c0\u03b1\u03c1\u03b1\u03b4\u03bf\u03c3\u03b9\u03b1\u03ba\u03ae \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03c3\u03c4\u03b1 \u03bf\u03c1\u03b5\u03b9\u03bd\u03ac \u03a0\u03b9\u03ad\u03c1\u03b9\u03b1 \u03c0\u03c1\u03b9\u03bd \u03c4\u03b7\u03bd \u03b7\u03bb\u03b5\u03ba\u03c4\u03c1\u03bf\u03b4\u03cc\u03c4\u03b7\u03c3\u03b7<\/em><\/p>\n

16.50
\nLuc Messinezis<\/strong>:\u00a0Acoustic Futures: Eavesdropping on Dystopian and Utopian Possibilities<\/em><\/p>\n

17.10
\nMaria Kolia and Areti Andreopoulou<\/strong>:\u00a0\u201cOceanic ClimateScapes\u201d: A real-time sonification of aquatic physicochemical climate change data, set on marine soundscapes<\/em><\/p>\n

Soundscapes as a compositional framework II<\/u><\/strong><\/em><\/p>\n

17.30
\nTheofanis Maragkos, Georgios Konstantakis, Athanasios Epitideios, Apostolos Loufopoulos and Renata Dalianoudi<\/strong>:\u00a0The soundscapes of Kea as an auditory background for recording traditional instrumentalists<\/em><\/p>\n

17.50
\nNikolaos Kokolakis<\/strong>:\u00a0Utilizing soundscape analysis for site-related fixed media composition inspired by the acoustic environment and history of the Decauville route at Alona, Florina<\/em><\/p>\n

18.10
\nDimitris Bakas and Eleni Gerofoka<\/strong>:\u00a0Air and Sound: Historical sound and Archeological data transformed into Sound Art<\/em><\/td>\n<\/tr>\n

18.30-19.00<\/td>\nBreak<\/td>\n<\/tr>\n
19.00<\/td>\nReception buffet (Romantso)<\/td>\n<\/tr>\n
20.30<\/td>\nSoundscape Concert I<\/strong> (Romantso)<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
<\/div>\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Friday 8\/11\/24<\/th>\n<\/tr>\n<\/thead>\n
9.30-11.00<\/td>\nSESSION VI<\/strong> (Amphitheater Drakopoulos)<\/p>\n

Chair: Olympia Agalianou<\/b><\/p>\n

Acoustic ecology in education I<\/u><\/strong><\/em><\/p>\n

9.30
\nAimilia Karapostoli, Dimitris Giouzepas, and Aggelos Tsaligopoulos<\/strong>:\u00a0The notion of soundscape in Architectural education; The case of two short design assessments in the studio<\/em><\/p>\n

9.50
\nOlympia Agalianou<\/strong>:\u00a0Approaching urban parks through movement and listening: An educational intervention for environmental awareness\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n

10.10
\n<\/strong>Dimitrios Sarris<\/strong>: Program \u00abSoundscapes of Taygetos\u00bb: From Sound Literacy to Ecological Literacy<\/em><\/p>\n

10.30
\nAndreas Mniestris and Ioanna Etmektsoglou<\/strong>:\u00a0Acoustic Ecology and Transdisciplinarity in University Music Studies: A context for cultivating sound aesthetics, ethics and ecological activism<\/em><\/p>\n

10.50
\nRenata Dalianoudi, Sotiriou Christina, and Theofanis Maragkos<\/strong>:\u00a0Radio ecological documentary: from the field recordings in the natural environment to the educational audio-stories\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/td>\n<\/tr>\n

11.10-12.00<\/td>\nC\u03bfffee break<\/td>\n<\/tr>\n
12.00-13.20<\/td>\nSESSION VII<\/strong> (Amphitheater Drakopoulos)<\/p>\n

Chair: Katerina Talianni<\/b><\/p>\n

Acoustic ecology in education II<\/u><\/strong><\/em><\/p>\n

12.00<\/strong>
\nYannis Mygdanis<\/strong>:\u00a0Design and implementation of STEAM scenarios reflecting ubiquitous acoustic ecologies in primary music education: an initial overview and perspectives<\/em><\/p>\n

12.20
\nDana Papachristou and Yorgos Samantas<\/strong>:\u00a0Aural Inclusion: Bridging Sound Art and Technology for\/with the d\/Deaf and hard of hearing<\/em><\/p>\n

12.40
\nAndromachi Vrakatseli<\/strong>:\u00a0Acoustic Oiko-topia: Educational aspects of collectivity and sustainability through sound<\/em><\/p>\n

13.00
\nTheodoros Lotis<\/strong>:\u00a0Latent Learning and the Salami Sound Effect<\/em><\/td>\n<\/tr>\n

13.30-15.00<\/td>\n\u0397ellenic Society of Aco\u03c5stic Ecology Consortium<\/strong><\/td>\n<\/tr>\n
15.00-16.00<\/td>\nLunch break<\/td>\n<\/tr>\n
16.00-16.30<\/td>\nKEYNOTE LECTURE II<\/strong> (Amphitheater Drakopoulos)<\/p>\n

Francois Bernard M\u00e2che<\/strong>:\u00a0Phonographies and soundscapes<\/em><\/td>\n<\/tr>\n

16.40-18.20<\/td>\nSESSION VIII<\/strong>\u00a0(Amphitheater Drakopoulos)<\/p>\n

Bioacoustics, biodiversity, and climate crisis<\/u><\/strong><\/em><\/p>\n

16.40
\nRicardo Climent and Camille Rivera<\/strong>:\u00a0Bioacoustics and videogames as transformative media \u00a0\u00a0to engage the public in sustainability. Restoring blue carbon habitats in the Philippines<\/em><\/p>\n

17.00
\nPanagiotis Syrios, Angeliki Kontopoulou, and Anastasia Georgaki<\/strong>:\u00a0\u201cThe Song of Blackbird\u201d: a bioacoustic and musicological approach\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n

17.20
\nDimitris Batsis<\/strong>:\u00a0EcoMuseum Zagori soundscapes: Raising awareness through acoustic community interventions<\/em><\/p>\n

17.40
\nKaterina Talianni<\/strong>:\u00a0Ecocritical sonorous narratives: soundscapes for listening in the Anthropocene<\/em><\/p>\n

18.00
\nDimitra Remidianaki, Orestis Karamanlis and Anastasia Georgaki<\/strong>:\u00a0Vln_temp project: Music creation for violin and live electronics using sound transfer techniques to reflect global temperature changes<\/em><\/td>\n<\/tr>\n

19.00<\/td>\nSound Walk<\/strong> starting at Main Building of NKUA, 30 Panepistimiou Street, Athens (by Katerina Tzedaki)<\/td>\n<\/tr>\n
21.00<\/td>\nSoundscape Concert II<\/strong> (Romantso)
\n<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
<\/div>\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Saturday 9\/11\/24<\/th>\n<\/tr>\n<\/thead>\n
08.45<\/td>\nMeeting at Karaiskaki square, outside Metro station Metaxourghio (Line 2, Red)<\/p>\n

Bus to Ancient Epidaurus leaves at 09.00<\/td>\n<\/tr>\n

11.30<\/td>\nArrival at \u0391ncient Epidaurus – Hotel<\/td>\n<\/tr>\n
12.30-14.00<\/td>\nMeeting Poing: Little Theater of Ancient Epidaurus<\/p>\n

(Guides: Dimitra Tsoli and Dimitris Gkinis)<\/p>\n

Soundwalk and Soundscape Recording at the Little Theater of Ancient Epidaurus and the Ancient Acropolis<\/td>\n<\/tr>\n

14.00-16.30<\/td>\nLunch break (free choice)<\/td>\n<\/tr>\n
17.00-18.30<\/td>\nRound Table<\/strong> “Soundscapes, Bioacoustics and Climate Crisis” (Lygourio Cultural Center)<\/td>\n<\/tr>\n
18.30-19.00<\/td>\nBreak<\/td>\n<\/tr>\n
19.00-19.30<\/td>\nKEYNOTE LECTURE III\u00a0<\/strong><\/p>\n

John Levack Drever<\/strong>:\u00a0Hearing and Listening with Eevee \u2013 bridging the auraldiversity of a dog and a human<\/em><\/td>\n<\/tr>\n

19.30-20.30<\/td>\nSoundscape Concert III<\/strong><\/td>\n<\/tr>\n
21.00<\/td>\nDeparture of the bus from Lygourio.<\/p>\n

Dinner <\/strong>in the village of Ancient Epidaurus (Bolbos Tavern, Ancient Epidaurus)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

<\/div>\n
\n\n\n\n\n\n\n\n\n\n
Sunday 10\/11\/24<\/th>\n<\/tr>\n<\/thead>\n
11.00<\/td>\nVisit to Ancient theater of Epidaurus<\/td>\n<\/tr>\n
11.00<\/td>\nSoundwalk on the ancient path to the Ancient Theater of Epidaurus<\/td>\n<\/tr>\n
12.00<\/td>\nSoundscape recordings at the Ancient Theater<\/td>\n<\/tr>\n
14.30<\/td>\nLunch Break<\/td>\n<\/tr>\n
16.30<\/td>\nReturn to Athens<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1209,"parent":1393,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-1529","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\n\u03a0\u03c1\u03cc\u03b3\u03c1\u03b1\u03bc\u03bc\u03b1 \u03a3\u03c5\u03bd\u03b5\u03b4\u03c1\u03b9\u03ce\u03bd - 7th Conference on Acoustic Ecology<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/acousticecology.music.uoa.gr\/el\/programma\/programma-synedrion\/\" \/>\n<meta property=\"og:locale\" content=\"el_GR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u03a0\u03c1\u03cc\u03b3\u03c1\u03b1\u03bc\u03bc\u03b1 \u03a3\u03c5\u03bd\u03b5\u03b4\u03c1\u03b9\u03ce\u03bd - 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