{"id":1585,"date":"2024-03-11T19:23:21","date_gmt":"2024-03-11T17:23:21","guid":{"rendered":"https:\/\/acousticecology.music.uoa.gr\/programma\/proskeklimenoi-omilites\/"},"modified":"2024-10-21T11:14:31","modified_gmt":"2024-10-21T08:14:31","slug":"proskeklimenoi-omilites","status":"publish","type":"page","link":"https:\/\/acousticecology.music.uoa.gr\/el\/programma\/proskeklimenoi-omilites\/","title":{"rendered":"\u039a\u03b5\u03bd\u03c4\u03c1\u03b9\u03ba\u03bf\u03af \u03bf\u03bc\u03b9\u03bb\u03b7\u03c4\u03ad\u03c2"},"content":{"rendered":"

\"\"Fran\u00e7ois-Bernard M\u00e2che
\n<\/strong><\/p>\n

Fran\u00e7ois-Bernard M\u00e2che is a French composer of contemporary music. He is a former student of \u00c9mile Passani and Olivier Messiaen and has also received a diploma in Greek archaeology (1957) and a teaching certificate (Agr\u00e9gation de Lettres classiques, 1958). He was a member of the Groupe de Recherches Musicales in Paris from 1958\u201363. He has composed electroacoustic, orchestral, chamber, choral, vocal and piano works. He has been a member of the Acad\u00e9mie des Beaux-Arts since 2002 and occupies the chair of the late Iannis Xenakis.<\/p>\n

M\u00e2che’s Music, Myth and Nature, or The Dolphins of Arion, as a whole argues for a return in composition to mythic thought, includes a study of “ornitho-musicology” using a technique of Nicolas Ruwet’s Langage, musique, po\u00e9sie (1972) paradigmatic segmentation analysis, shows that birdsongs are organized according to a repetition-transformation principle. One purpose of the book was to \u201cbegin to speak of animal musics other than with the quotation marks\u201d, and he is credited by Dario Martinelli with the creation of zoomusicology.<\/p>\n

Other major works include Kassandra for large ensemble and tape, which won the Italia Prize in 1977; Eridan (1986) and Moires (1994), both written for the Arditti Quartet; Kengir (1991), settings of ancient Sumerian love poems, and Manuel de r\u00e9surrection (1998), setting texts from the Egyptian Book of the Dead, both written for the soprano Fran\u00e7oise Kubler and Ensemble “Accroche Note”. Several of M\u00e2che’s works from the 1980s onwards make use of the sampling keyboard, notably L’estuaire du temps (1993) for sampler and large orchestra.<\/p>\n

Makis Solomos<\/strong>\"\"<\/p>\n

Born in Greece and living in France, Makis Solomos is Professor of musicology at the University Paris 8 and director of the research team MUSIDANSE. His book From Music to Sound. The Emergence of Sound in 20th- and 21st-Century Music (Routledge, 2019) deals with an important mutation of today\u2019s music. His new book Towards an Ecology of Sound. Environmental, Mental and Social Ecologies in Music, Sound Art and Artivisms (Routledge, 2023) deals with an enlarged notion of ecology, mixing environmental and socio-political issues. He is also one of the main Xenakis\u2019 specialists. His forthcoming book is entitled Habiter (avec) Xenakis \/ Dwelling (with) Xenakis. His new research field is music and degrowth and he is also developing a project on the island of Gyaros, a land of political exile in the past and now under the protection of WWF (World Wide Fund for Nature).<\/p>\n

John Levack Drever<\/strong><\/p>\n

\"\"John Levack Drever\u2019s practice bridges acoustics, audiology, soundscape, experimental music, sonic art, sound art and urban design. He has devised listening experiences and practice research projects on place, listening and hearing in many different contexts and configurations, often in collaboration.\u00a0 Commissions range from the\u00a0Groupe de Recherches Musicales, Paris (1999), Shiga National Museum, Japan (2012), Trumpington Park Primary School, Cambridge (2021-22) to IMMA, Dublin (2023). He has been awarded prizes in the Music Nova Competition for Electroacoustic Music (1996 & 1997) and the winner of the Worst Sound Category in the Sound of the Year Awards 2020. In 2001, he was awarded a PhD from Dartington College of Arts. He coined the concept of auraldiveristy and co-edited Aural Diversity with Prof Andrew Hugill\u00a0<\/i>(Routledge 2022). He has held visiting positions at City University of Hong Kong, Seian University of Art and Design, Japan, Loughborough University and Aarhus University. Drever was Professor of Acoustic Ecology and Sound Art at Goldsmiths, University of London. In 2023, he wrote and presented\u00a0Tuner of the World<\/i>\u00a0for BBC Radio 3, a radio feature on R. Murray Schafer, which was shortlisted for the Prix Europa.<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1226,"parent":1393,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1585","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\n\u039a\u03b5\u03bd\u03c4\u03c1\u03b9\u03ba\u03bf\u03af \u03bf\u03bc\u03b9\u03bb\u03b7\u03c4\u03ad\u03c2 - 7th Conference on Acoustic Ecology<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/acousticecology.music.uoa.gr\/el\/programma\/proskeklimenoi-omilites\/\" \/>\n<meta property=\"og:locale\" content=\"el_GR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u039a\u03b5\u03bd\u03c4\u03c1\u03b9\u03ba\u03bf\u03af \u03bf\u03bc\u03b9\u03bb\u03b7\u03c4\u03ad\u03c2 - 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